This comes through as Kiser and I give our friend Dave a little ribbing as I had seen the technique long before in the Catch As Catch Can circles. But as I edited the footage and had a chance to see the move a few more times, I thought to myself, perhaps it is, ever so subtly a little different than what I had seen before. Then again, maybe not.

Either way, it’s always fun to give your friends a hard time, all in good fun. So weigh in, share your thoughts, have you seen this move before? Did Dave Johnson in fact give birth to a brand new technique. I’m hoping our Catch Wrestling friends out there will give us their thoughts on the subject.

Just remember, Dave is our friend. He took time out of his day to share something that he though was pretty special, and whether he invented it or not, it is nevertheless, an effective and very useful technique. So keep your comments respectful, but feel free to give him an ear full if you think he needs to be kept honest.

In MMA we have things like the Jumping Fence Kick, the Flying Triangle, or in this case, something that Kiser and I saw first hand during an MMA fight… The Twister or as they refer to it, the Wrestler’s Guillotine.

Whatever you like to call it, Eric Wahlin and Mike Stidham demonstrate how they like to set up this very nasty, career ending submission and it’s very interesting to see how the technique relates to it’s roots in Wrestling. The question of the hour though is “what’s in a name?” I mean, there are a number of folks out there who hate names and hate people who give techniques names even more.

What’s worse then, a technique that has no name? A person who gives a technique a name? Or perhaps even a person who re-names a technique that already has an accepted name? Keep in mind before you start spouting off, that The “Kimura” was known in Japan as the “Ude Garame” long before it’s new nickname. Catch Wrestling aficionado will argue that the British called it the Double Wrist Lock long before that.

And what if we want to rename something for tactical reasons, so that coaches can shout out suggestions to their fighters without their opponent’s knowing what exactly it is that they’re talking about? Why not call a Double Leg Takedown, “Worship of the Ivory Goddess”?

Weigh in with your comments below and be sure to cast your vote in the poll.

We would meet again at the CSW Coaches and Fighter Camp in Fullerton California. But as before, training and running around, trying to explore CA keep us from spending a lot of time together. Not to mention, it’s always dangerous working too close to guys 3 times bigger than you at the CSW camp. Either Sensei Paulson will point to you and expect you to spar, or you may simply be crushed underneath them as the Camp is always packed and mat real estate is in short supply.

But when we saw him the third time at the 2012 Catch As Catch Can Seminar in SLC, we had to see what interesting ways he was weaving his interpretations of CSW and CACC into a “Tap-Estry” of Submission. We weren’t disappointed as he ripped out a Submission Chain that would put a grin on even the most stoic grapplers faces.

Got an interesting “Twist” on something you’ve learned from DamageControlMMA.com, a seminar by Coach Robinson, Sensei Erik Paulson or anyone we’ve featured in our videos? Let us know in the comments below, we’d love to take a look.

Stay tuned we’ve got so much goodness awaiting you. More Erik Paulson, more Billy Robinson, a Twister Caught Live in MMA Competition, Olympic Wrestling Gold Medalist Mark Schultz and much much more!

Listen up Yo! Ya’ll need to shut your pie holes and drink from the well of wisdom. This ain’t no garden variety coolaid. This is the real deal. Too strong for your candy @$$es? Well that’s just too bad. The truth hurts like the taste of a 4 oz. MMA glove in your mouth.

MMA is just as much about your attitude as it is about your skillz. So take notes and learn yourself up yo.

Here are some out takes we shot in 2009 and 2010 regarding some of those takedowns. As you might expect, these became part of the daily takedown regimen taught and studied at our school. And as the old saying goes, “Practice becomes habit, you don’t live up to your expectations, you live down to your drills and your training.” Such was the case in 2011 when a hand full of our students put these takedowns to the task at a local Submissions Only Tournament (no, time limits, no points).

Both the competitors seen in the videos (Jared Fahrner and Heinrich Mokofisi) used the running takedowns to eventually win their divisions.

One interesting idea to note was that one of our overall strategies going into the tournament was to employ the Catch Wrestling Concept of never offering your head to your opponent by means of “Shooting” for a takedown. Instead the competitors elected to use more upright, Grecco, Catch and Judo style takedowns when the opportunities presented themselves.

This not only allowed them to keep their heads and necks away from trouble but also gave them ample opportunities to utilize the Half Haltch, Grovit, Front Head Lock and Guillotine to control their opponents when they shot in and in some cases submit them outright.

Long story short, thank you again Sensei Paulson and Coach Robinson. This stuff works and works well.

And as a parting holiday present, we’ve included a final gift, an awesome impromptu lesson in leg locking for after you’ve taken your opponent to the mat. Courtesy again, of the legendary Sensei Paulson. So listen up and Lock On!

The Back Story

There is an arms race taking place, an on going struggle that began in the not so distant but aging past, in a garage, in a galaxy… well, it was in our galaxy but those times and places now feel, far, far away.

Two forces, Kiser and Yamasaki met on the mats of one of Professor Pedro Sauer’s old academies as Kiser’s private lesson with Khuen Khru Bernales ened and mine began. From that point on, we would be competing for the attention of our instructor, and trying to best each other whenever and wherever our paths crossed.

Since that time, the struggles continue, with one having the upper hand for months and even years at a time before the tide of battle would change and the playing field would again be leveled. Something we’ve alluded to before in posts such as our “Arm Triangle and Kimura Counter” which is a small glimpse into the arms race and ever evolving counter measures that Kiser and I will forever be interlocked.

Every week, new lines are drawn, scores are settled and new feuds born. Over time, even new Factions have arisen. Some have fallen and been lost to time, but others have taken root and begun to grow strong. I could go on forever about the counters and re-counters employed, sought out and developed between Kiser’s evil empire and Yamasaki’s solo Resistance, but that will have to wait until another time. For this hour, belongs to the new clan, the rising power, the Wiggins Faction.

He and his followers have begun a full scale assault on the happy and peace loving members of the Mushin Self Defense gym. Their calling card… The Arm Bar. I invite you to come along as I fumble my way through the mine field of Wiggarian Arm Bars, and attempt to mount a counter offensive through preventative measures, escape systems and counterfuge.

The purpose of this on going series of articles (The Mat Wars Saga) is two fold. One, to share a little more of our own personal world with our DCMMA friends and family, and two to share and further develop my own MMA problem solving methodology (and not necessarily in that order).

The problem solving methodology is a work in progress. I by no means claim any expertise in that department and am myself still trying to improve and simplify the process. I hope by sharing it, I will both clarify my own thought process as well as learn from your comments and experiences.

I often say, “THAT your technique failed is of little to no importance. HOW it failed, the specifics of where arms were placed, hands were positioned, hips were angled, feet were moving, etc. is of ultimate importance. Therein lies the body of evidence that will lead us to finding what killed our technique.” It’s a game of MMA CSI.

This is one piece of the problem solving methodology. Taking many snap shots at the scene of the crime. And make no bones about it, for a move to not work the way you would have liked, is indeed a crime.

We will use the Mat Wars Saga as a case study in these methods. Starting with the on going Crime Scene Investigation, the Wiggarian Arm Bar. This Serial criminal comes in many shapes and sizes, and attacks from many different angles. But as a starting point we will be investigating perhaps the most sinister variation of them all. The Kimura Set Up From Guard.

I have collected the necessary evidence in a series of snap shots. And it’s funny to mention and include these as I recall years ago, hearing one of my instructors defending a move that was being questioned with the following statement. “No move is 100% all the time. Anytime you take a snap shot of a technique, you can point out a number of ways to pick it apart.” We’ll that just what I intend to do.

Below is a re-enactment of Joe’s Crime. Prosecuting him for count two “Trying to tap out his own instructor” will be something we address at another time.

Joe Wiggins starts his evil and malicious crime (the Arm Bar) from Closed Guard

He then opens his guard and violently turns to his left side, which allows him to place his opponent's right hand on the mat and obtain wrist control

Here Joe locks up the Kimura but in the process, allows his left leg to slide downward until it hits the mat and invites you to step over and begin to pass his guard in a counter clockwise direction.

Kensei obliges Joe's invitation and begins to pass Joe's left shin across his midsection. Keep in mind that the threat of being finished by the Kimura itself is ever present.

As Kensei moves to finalize the pass (his motion and direction of force is shown here in green), Mr. Wiggins simultaneously moves his hips in the opposite direction (shown here in red, a clockwise direction of force), which gives him space and the potential for a parallel body alignment with Kensei. This is an important detail as at this juncture, Mr. Wiggins has 4 simultaneous options. 1. Finish The Kimura 2. Utilize Parallel Body alignment to execute the Kimura Sweep and finish with the Kimura 3. Execute the redundant Kimura Sweep and finish with the stereotypical Arm Bar or 4. Move directly to a Quarter Back Mounted Arm Bar

I generally fight to maintain my base and top position which usually persuades Joe to take option 4. To do this he immediately inserts his left shin in front of Kensei's left arm.

He then places his right leg over Kensei's head and inserts his right foot into Kensei's right hip. The whole while Joe maintains a T Wrap/Figure 4 Grip on Kensei's right forearm.

Joe finalizes the Arm Bar by using his hips to break Kensei's grip and extend Kensei's arm. In this case the direction of force on Kensei's arm is along the mat and towards Joe's head.

If Kensei is able to power his arm back in to defend the Arm Bar, Joe simply transitions to a Kimura. Kensei can look to his left and defend the Kimura by summersaulting over his right shoulder but then he runs straight into the stereotypical Arm Bar and is finished from there.

You’ve seen the evidence, you’ve had a chance to study the crime scene. Now let’s take a moment and discuss the problem solving methodology.

The Problem Solving Methodology

The problem solving methodology is two fold. I try to address said problems from both a technical and a tactical vantage point. The CSI approach is more on the technical level. It involves looking at the mechanics of the technique in question and then, countering the technique with other techniques or simply dismantling the technique by means of negating one or more of the necessary mechanics.

On a Tactical level we look at paradigm shifts. Sometimes, you get so stumped trying to untangle the limbs and levers, the weights and pulleys of a technique that you basically hit a dead end. A mental block if you will. When I experience these I usually try and attack the problem at the tactical level. That is, to look at the problem itself from a completely different vantage point.

Take for example this Wiggarian Arm Bar from a Kimura Set Up. I have attempted to break it down and disassemble it from a technical level, with limited success for months now. Frustrated at this progress or lack thereof, I’ve now begun to approach the problem at a tactical level. I try not to put myself in positions where Joe can set up his heinous technique in the first place, but as with many things, it’s a lot easier said than done. As a result, I’ve recently begun to postulate a new idea.

By understanding how Joe sets up his damned Arm Bar at a technical level, and by looking at the problem from a tactical vantage point, I’ve been able to decipher that his set up is based on a brilliant strategy. He sets his technique up and finishes it based on movements from his opponents that follow fundamental, but predictable predispositions. You see, if you’ve had any instruction in guard work at all, you are going to be predisposed to eventually attempting to pass guard whenever you’re caught in it. This is how Joe finishes. He will set up the arm bar from within the guard, but it’s the act of you passing that enables him to finalize it. As a result, he will actively create opportunities for you to pass and in doing so tighten the noose around your own neck. Tricky bastard!

Thus, I am led to believe, that if I do the opposite of what is expected, that is, once the arm bar is set via the Kimura Set Up, I move into his guard, I can stall and perhaps even completely demise his ability to finalize the arm bar or at least this iteration of his arm bar. I will call this the “Chinese Finger Trap Defense”.

Tune in to the next episode of the Mat Wars Saga to find out how it goes.

I also invite you to turn in your own solutions to this problem, and eventually your own Technique Failures for us to CSI and problem solve. Together, we can catch the bad guys and rescue your technique.

Now the challenge, for both you and me is to apply these same problem solving methodologies to the challenges that face us in our daily lives, at work, at play, in the home as well as on the mats. It’s the Jiu-jitsu of Life as my cousin would so aptly put it. The most important Jiu-jitsu of all.

Ever since I first read about the Gotch Toe Hold, I’ve been interested in learning more about it. Well at this year’s first quarter Certified Catch Wrestling Audit, we had a chance to do just that. After being teased with a first glance look at the technique during our shoot for the “Say Uncle” Catch as Catch Can book (pages 198 and 199 cover the technique in pictorials), I wanted to get some more hands on time with it with one of the last surviving practitioners of Catch, Coach Billy Robinson.

He shared his thoughts on a few variations and follow ups and then signed my copy of the book.

If you’re interested in picking up a copy, it would help Coach Kiser and I out as well as Scientific Wrestling (the guys responsible for putting together the Audits and the book) if you could use the link below and purchase your copy from Amazon.com

Jake Paul and Coach Kiser demonstrating the basic CACC Ready Stance.

In essence, the Catch Ready Stance is more upright than it’s amateur wrestling cousin. And favoring more of a Grecco and Judo style throwing for it’s takedowns vs the shooting and leg hunting method of the amateur style, I asked Coach Robinson why that came to be. His answer was simple. “Because you would never want to offer your neck to your opponent like that.”

Notice the difference in posture with the Amateur Wrestling version of the ready stance

Seeing how Catch not only employs and allows Guillotine type chokes but also potentially lethal neck cranks such as the Grovit, I took his words to heart. In fact I could hear them ringing in my ears this last weekend as I watched two of my own fighters get caught and choked with Guillotines as they shot in for doubles and singles. I suppose some lessons are hard learned.

Our student Dan Berry delivers his second Suplex shortly before getting caught in an Arm In Guillotine

At any rate, train well and Happy Hunting.

On top of all that, our members have finally figured out, that we respond and welcome their requests and personal interaction. They’ve been PMing and requesting technique series in our forums left and right and we’ve been working over time to accommodate them.

Recently, we were asked to do a series on drills that could be done either solo or with a partner. CSW Coach Shane Taylor, the first student to graduate the CSW Coaching curriculum and earn his coaching certificate through us under Sensei Erik Paulson used to travel out of town frequently and during the first few years with us had made a similar request.

As a result, we had already put together a series of techniques that he could do in his hotel rooms on the road. It would seem that they weren’t too shabby as he used them to help build his foundation and eventually become one of our very best students.

The Solo and Wall Drill series is largely based on the program we put together for Coach Shane. We filmed it and put it up for DCMMA member Robin Jeff Davis and Edric Escalante. But I thought there are many of you who might also enjoy a few ideas for the next time you’re fresh out of training partners.

I hope you find these videos helpful. They are a small sampling of the full series available to our members.

Train hard, enjoy yourselves and Lock On!

Having a rock solid wing man is one of the most overlooked and under rated pieces of prep work that a fighter can have in place for his/her up coming fight.

If you’ve ever taken the time to listen to the corners during a fight, you’d be surprised at the variance in ability and quality. It’s amazing how often the advice you hear being shouted from the corner is something along the lines of “F*** him up bro!” Really?

An important part of any successful competition is communication between Coach/Instructor and Student/Competitor.

This article will focus on a couple of methods we use to communicate to our students when they are in the middle of their matches. They can however, be applied to effectivly communicating during any traumatic or stressful event.

A good coach is like a second pair of eyes for their student. But what the coach sees is useless if he/she is unable to communicate that information to his/her student.

Below are a list of tips that we have found helpful in communicating to our students when they are in the middle of a match.

Less is more… Keep It simple

If there is a constant barrage of chatter comming from the sidelines, it tends to blend in with the myriad of other noises already being muted by the tunnel vision/hearing experienced by the student. Be patient, hold your tongue and only bark out an occasional observation. AND when you do give some instruction, keep it simple. Suggestions such as this, “slip the jab, then uppercut, overhand, left hook right kick and shoot.” Simply are too much for a student under duress to handle. Something like the following would be more helpful “SLip and counter”.

Use the student’s name.

During one of his fights, Trevor “Little Bang” Osborn related that when everyone was shouting, he didn’t know who was saying what to whom. He didn’t know if it was the opposing team or our team speaking to the other competitor or to him and pretty soon he simply tuned it all out… that is until he heard us shout his name. Then he was able to take focus and listen.

Proper use of use of this method would sound something like this:

“Trevor, be first.”
“Trevor, circle! Keep your back off the cage.”
“Trevor, Go Now!”

Make eye contact.

When your student is fatigued and or rocked they tend to do a little slot machine number with their eyes. Their head will roll lazily around and their eyes will roll up under their lids etc.

If this happens between rounds, control their head with your hands and force them to look into your eyes.

If they are in a contol position mid-round, tell them to look at you. This will again, help to re-focus them, not just on your instruction, but also onto the task at hand.

Trigger Words

Trigger Words are words or phrases whose meaning you and your students have agreed upon. They are words that have been used during training sessions leading up to the event so that the student is used to hearing them and reacting to them.

For instance, we use the Trigger Words “Go Now”. We all know that this means, it means that there is 30 seconds left in the round. We have trained the student to go all out upon hearing that phrase (Pavlov eat your heart out). “Establish Base” means, chill out. Don’t blow your wad just yet. Re-establish your position and calmly look for openings and opportunities.

These phrases should be reinforced and used repeatedly in the gym during training sessions.

Don’t use more than one or two Trigger Words in your gym. The more Trigger Words you have, the less impact and significance they carry.

Communicate Visually with Hand Signals and Expressions

There are many times that a student’s battle stress will completely debilitate their ability to hear your voice. There are also times that the venue is so loud that your voice simply cannot be heard above the rest of the noise. In these instances it is helpful to commuicate visually as well as verbally. For instance, we will point to our eyes, then look up and point to the ceiling if we want our students to arch their backs more, lift their head and put more body into straightening out the armlock, guillotine, etc.

We’ll point to the ceiling and loop our finger around in a circle if we want the student to relax and burn some time off the clock.

And remember… every communication should be prefixed with your student’s name.

I hope these tips are helpful to you and your crew and we wish you all the best of luck. Train hard… we’ll see you out on the mat!

Not All Side Cross Hold Downs Are Created Equal

One thing I’ve learned while studying submission grappling is that terms like Mount, Side Cross, Guard, Etc. are used in a very general sense. Within each position lies a number of sub-positions which can be recognized or classified (if you want to get really technical) by relative arm placement, weight distribution and attack orientation.

Each sub-position is like a prison cell to which only a few specific methods will create opportunities for escape. There is no skeleton key which magically unlocks all prison cell doors. Paying heed to which escapes and methods work for each sub-position will give you a better insight into how to become a better escape artist in general.

If The Boat Is A Rockin, Don’t Come A Knockin

I know I’ve beaten this dead horse to the grave, then stomped on it, kicked more dirt on top, and hammered that gravesite with a shovel, but I simply can’t say it enough times. Chain your escapes, and tie all of these escapes together and you will increase your chances of getting out in one piece.

It’s quite simple really, if your opponent takes pressure off of you to prevent your sweep, he’s generally going to give you enough space to recapture guard, or some semblance of it. If he pressures you to prevent your re-guard attempt, he gives you the energy necessary to effect your sweep.

Timing Is Critical!

Give anyone enough time, and they will dig in, fortify their position and give you headaches for days. Never let your opponent gain a foothold, and again, you increase your ability to effect an exit strategy and leverage your knowledge of escape routes and techniques.

Above is an excellent drill for developing this mentality. Shown here, it demonstrates the second sweep shown to me by my friend and one of my coaches, Pedro Sauer Black Belt, Mike Diaz. However, any of the escapes or sweeps can be substituted for the one shown here and trained in the transition drill to sharpen your timing.

Let us know how these escapes are working out for you in the comments and post your favorite videos of Side Cross Escapes so we can all learn from this discussion.